Details
De-signing Design
Cartographies of Theory and PracticeTEXTURES: Philosophy / Literature / Culture
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97,99 € |
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| Verlag: | Lexington Books |
| Format: | EPUB |
| Veröffentl.: | 07.01.2016 |
| ISBN/EAN: | 9780739179130 |
| Sprache: | englisch |
| Anzahl Seiten: | 200 |
DRM-geschütztes eBook, Sie benötigen z.B. Adobe Digital Editions und eine Adobe ID zum Lesen.
Beschreibungen
<span><span>De-Signing Design: Cartographies of Theory and Practice</span><span> throws new light on the terrain between theory and practice in transdisciplinary discourses of design and art. The editors, Elizabeth Grierson, Harriet Edquist, and Hélène Frichot, bring together diverse approaches to design theory, practice, and philosophy from leading scholars in Australia, New Zealand, Japan, and the United Kingdom. Themes include spatiality, difference, cultural aesthetics, and identity in the expanded field of place-making and being. The concept that design can be </span><span>de-signed</span><span> is presented as a way of exploring different approaches to an experimental and experiential thinking-doing that promises to further open up research possibilities in the fields of design and art thinking and practice. The book enacts a series of cartographic devices to articulate the spaces between theory and practice. <br></span></span>
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<span><span>De-Signing Design: Cartographies of Theory and Practice</span><span> throws new light on the terrain between theory and practice in transdisciplinary discourses of design and art. The collection brings together a selection of essays on spatiality, difference, cultural aesthetics, and identity in the expanded field of place-making and being. </span></span>
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<ol>
<li><span>De-Signing the City: Interventions through Art, </span><span>Elizabeth Grierson</span></li>
<li><span>Towards De-Signing: Narrative, Networks and the Open Work, </span><span>Scott McQuire</span></li>
<li><span>Designations, </span><span>Mark Jackson</span></li>
<li><span>Signs of Postmemory in Dresden: Restoring the Displaced, </span><span>Marsha Berry</span></li>
<li><span>Posed Solitude: Signing a Poetics of Community</span><span>, Maria O’Connor</span></li>
<li><span>24 Hours Noticing: Designing our Encounters with Place, </span><span>Laurene Vaughan and Yoko Akama</span></li>
<li><span>Representing the City: Complementing Science and Technology with Art</span><span>, William Cartwright</span></li>
<li><span>Embodied Encounters: The Photographic Seeds of Rolf de Heer and Peter Djigirr’s </span><span>Ten Canoes</span><span>, </span><span>Linda Daley</span></li>
<li><span>Mapping Modernity in “Marvellous Melbourne”: Ada Cambridge’s </span><span>A Woman’s Friendship</span><span>, </span><span>Harriet Edquist</span></li>
<li><span>Mapping an Ethico-Aesthetics for Wet Biotechnological Architectures</span><span>, Hélène Frichot</span></li>
<li><span>Digital Organic Design: Architecture, the New Biology and the Knowledge Economy, </span><span>Karen Burns</span></li>
<li><span>De-Signing as Bio-technological Endosymbiosis</span><span>, Stephen Loo</span></li>
<li><span>Design, Second Life and the Hyper Real</span><span>, Lisa Dethridge</span></li>
<li><span>Hopeful: Biology, Architectural Design and Philosophy</span><span>, Chris L. Smith</span></li>
<li><span>Design and New Materialism</span><span>, Neil Leach</span></li>
</ol>
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<li><span>De-Signing the City: Interventions through Art, </span><span>Elizabeth Grierson</span></li>
<li><span>Towards De-Signing: Narrative, Networks and the Open Work, </span><span>Scott McQuire</span></li>
<li><span>Designations, </span><span>Mark Jackson</span></li>
<li><span>Signs of Postmemory in Dresden: Restoring the Displaced, </span><span>Marsha Berry</span></li>
<li><span>Posed Solitude: Signing a Poetics of Community</span><span>, Maria O’Connor</span></li>
<li><span>24 Hours Noticing: Designing our Encounters with Place, </span><span>Laurene Vaughan and Yoko Akama</span></li>
<li><span>Representing the City: Complementing Science and Technology with Art</span><span>, William Cartwright</span></li>
<li><span>Embodied Encounters: The Photographic Seeds of Rolf de Heer and Peter Djigirr’s </span><span>Ten Canoes</span><span>, </span><span>Linda Daley</span></li>
<li><span>Mapping Modernity in “Marvellous Melbourne”: Ada Cambridge’s </span><span>A Woman’s Friendship</span><span>, </span><span>Harriet Edquist</span></li>
<li><span>Mapping an Ethico-Aesthetics for Wet Biotechnological Architectures</span><span>, Hélène Frichot</span></li>
<li><span>Digital Organic Design: Architecture, the New Biology and the Knowledge Economy, </span><span>Karen Burns</span></li>
<li><span>De-Signing as Bio-technological Endosymbiosis</span><span>, Stephen Loo</span></li>
<li><span>Design, Second Life and the Hyper Real</span><span>, Lisa Dethridge</span></li>
<li><span>Hopeful: Biology, Architectural Design and Philosophy</span><span>, Chris L. Smith</span></li>
<li><span>Design and New Materialism</span><span>, Neil Leach</span></li>
</ol>
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<span><span>Elizabeth Grierson</span><span> is professor of art and philosophy at RMIT University.<br><br></span><span>Harriet Edquist</span><span> is professor of architectural history at RMIT University.<br><br></span><span>Hélène Frichot</span><span> is assistant professor of critical studies in architecture at KTH Royal Institute of Technology. </span></span>
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