Details
Digital Connectivity and Music Culture
Artists and Accomplices|
58,84 € |
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| Verlag: | Palgrave Macmillan |
| Format: | |
| Veröffentl.: | 02.10.2017 |
| ISBN/EAN: | 9783319682914 |
| Sprache: | englisch |
Dieses eBook enthält ein Wasserzeichen.
Beschreibungen
<p>This book explores how the rise of widely available digital technology impacts the way music is produced, distributed, promoted, and consumed, with a specific focus on the changing relationship between artists and audiences. Through in-depth interviewing, focus group interviewing, and discourse analysis, this study demonstrates how digital technology has created a closer, more collaborative, fluid, and multidimensional relationship between artist and audience. Artists and audiences are simultaneously engaged with music through technology—and technology through music—while negotiating personal and social aspects of their musical lives. In light of consistent, active engagement, rising co-production, and collaborative community experience, this book argues we might do better to think of the audience as <i>accomplices</i> to the artist.</p>
1. Introduction.- 2. Artist.- 3. Audience.- 4. Music Culture & Digital Technology.- 5. Artists & Accomplices.
<p><b>Mary Beth Ray</b> is Assistant Professor of Communication & Media Studies at Plymouth State University in Plymouth, NH, USA.</p>
This book explores how the rise of widely available digital technology impacts the way music is produced, distributed, promoted, and consumed, with a specific focus on the changing relationship between artists and audiences. Through in-depth interviewing, focus group interviewing, and discourse analysis, this study demonstrates how digital technology has created a closer, more collaborative, fluid, and multidimensional relationship between artist and audience. Artists and audiences are simultaneously engaged with music through technology—and technology through music—while negotiating personal and social aspects of their musical lives. In light of consistent, active engagement, rising co-production, and collaborative community experience, this book argues we might do better to think of the audience as <i>accomplices</i> to the artist.<div><br/><div><b>Mary Beth Ray</b> is Assistant Professor of Communication & Media Studies at Plymouth State University in Plymouth, NH, USA.<br/></div></div>
Demonstrates why there is cause for both concern and celebration at the contemporary transitional, transformative moment in music culture Explores the creation and maintenance of mutually beneficial, revenue generating music communities between artists and audiences Connects research on music culture in the digital age to communication and media studies, creative industries, co-production, qualitative research methods, online community and social networks, critical cultural studies, and popular music and society
<p>Demonstrates why there is cause for both concern and celebration at the contemporary transitional, transformative moment in music culture</p><p>Explores the creation and maintenance of mutually beneficial, revenue generating music communities between artists and audiences</p><p> </p><p>Connects research on music culture in the digital age to communication and media studies, creative industries, co-production, qualitative research methods, online community and social networks, critical cultural studies, and popular music and society</p>
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