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New Essays in Japanese Aesthetics


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<span><span>This collection presents twenty-seven new essays in Japanese aesthetics by leading experts in the field. Beginning with an extended foreword by the renowned scholar and artist Stephen Addiss and a comprehensive introduction that surveys the history of Japanese aesthetics and the ways in which it is similar to and different from Western aesthetics, this groundbreaking work brings together a large variety of disciplinary perspectives—including philosophy, literature, and cultural politics—to shed light on the artistic and aesthetic traditions of Japan and the central themes in Japanese art and aesthetics. Contributors explore topics from the philosophical groundings for Japanese aesthetics and the Japanese aesthetics of imperfection and insufficiency to the Japanese love of and respect for nature and the paradoxical ability of Japanese art and culture to absorb enormous amounts of foreign influence and yet maintain its own unique identity. </span><span>New Essays in Japanese Aesthetics</span><span> will appeal not only to a wide range of humanities scholars but also to graduate and undergraduate students of Japanese aesthetics, art, philosophy, literature, culture, and civilization. Masterfully articulating the contributors’ Japanese-aesthetical concerns and their application to Japanese arts (including literature, theater, film, drawing, painting, calligraphy, ceramics, crafts, music, fashion, comics, cooking, packaging, gardening, landscape architecture, flower arrangement, the martial arts, and the tea ceremony), these engaging and penetrating essays will also appeal</span><span> </span><span>to nonacademic professionals and general audiences. This seminal work will be essential reading for anyone interested in gaining a deeper understanding of Japanese aesthetics. </span></span>
<span><span>This collection begins with an engaging historical overview of Japanese aesthetics and offers contemporary multidisciplinary and interdisciplinary perspectives on the artistic and aesthetic traditions of Japan and the central themes in Japanese art and aesthetics.</span></span>
<span><span>Foreword<br></span><span>Stephen Addiss</span><span><br>Preface<br></span><span>A. Minh Nguyen</span><span><br>Introduction: Historical Overview of Japanese Aesthetics<br></span><span>Yuriko Saito</span><span><br>Introduction: New Contributions to Japanese Aesthetics<br></span><span>A. Minh Nguyen</span><span><br><br>I: Japanese Aesthetics and Philosophy<br>1 A Philosophic Grounding for Japanese Aesthetics<br></span><span>Robert E. Carter</span><span><br>2 Cloud, Mist, Shadow, </span><span>Shakuhachi</span><span>: The Aesthetics of the Indistinct<br></span><span>David E. Cooper</span><span><br>3 Authority in Taste<br></span><span>Richard Bullen</span><span><br>4 Beauty as Ecstasy in the Aesthetics of Nishida and Schopenhauer<br></span><span>Steve Odin</span><span><br>5 Bodily Aesthetics and the Cultivation of Moral Virtues<br></span><span>Yuriko Saito</span><span><br><br>II: Japanese Aesthetics and Culture<br>6 Beyond Zeami: Innovating </span><span>Mise en Scѐne</span><span> in Contemporary Nō Theatre Performance<br></span><span>C. Michael Rich</span><span><br>7 The Appreciative Paradox of Japanese Gardens<br></span><span>Allen Carlson</span><span><br>8 Savoring Tastes: Appreciating Food in Japan<br></span><span>Graham Parkes</span><span><br>9 Art of War, Art of Self: Aesthetic Cultivation in Japanese Martial Arts<br></span><span>James McRae</span><span><br><br>III: Japanese Aesthetics and Cultural Politics<br>10 Ainu Aesthetics and Philosophy of Art: Replication, Remembering, Recovery<br></span><span>Koji Yamasaki and Mara Miller</span><span><br>11 The Idea of Greece in Modern Japan’s Cultural Dreams<br></span><span>Hiroshi Nara</span><span><br>12 Yashiro Yukio and the Aesthetics of Japanese Art History<br></span><span>J. Thomas Rimer</span><span><br>13 Aestheticizing Sacrifice: Ritual, Education, and Media during the Asia-Pacific War<br></span><span>Akiko Takenaka</span><span><br>14 Nagai Kafū and the Aesthetics of Urban Strolling<br></span><span>Timothy Unverzagt Goddard</span><span><br>15 Cool-Kawaii Aesthetics and New World Modernity<br></span><span>Thorsten Botz-Bornstein</span><span><br><br>IV: Japanese Aesthetics and Literature<br>16 Bashō and the Art of Eternal Now<br></span><span>Michiko Yusa</span><span><br>17 Knowing Elegance: The Ideals of the </span><span>Bunjin</span><span> (Literatus) in Early Modern Haikai<br></span><span>Cheryl Crowley</span><span><br>18 The Measure of Comparison: Correspondence and Collision in Japanese Aesthetics<br></span><span>Meera Viswanathan</span><span><br>19 On Kawabata, Kishida, and </span><span>Barefoot Gen</span><span>: Agency, Identity, and Aesthetic Experience in Post-Atomic Japanese Narrative<br></span><span>Mara Miller</span><span><br>20 Japanese Poetry and the Aesthetics of Disaster<br></span><span>Roy Starrs</span><span><br><br>V: Japanese Aesthetics and the Visual Arts<br>21 Inner Beauty: Kishida Ryūsei’s Concept of Realism and Pre-Modern Asian Aesthetics<br></span><span>Mikiko Hirayama</span><span><br>22 The Pan Real Art Association’s Revolt against “the Beauties of Nature”<br></span><span>Matthew Larking</span><span><br>23 The Aesthetics of Emptiness in Japanese Calligraphy and Abstract Expressionism<br></span><span>John C. Maraldo</span><span><br>24 On Not Disturbing Still Water: Ozu Yasujirō and the Technical-Aesthetic Product<br></span><span>Jason M. Wirth</span><span><br><br>VI: The Legacy of Kuki Shūzō<br>25 Finding </span><span>Iki</span><span>: </span><span>Iki</span><span> and the Floating World<br></span><span>David Bell</span><span><br>26 </span><span>Iki</span><span> and Glamour as Aesthetic Properties of Persons: Reflections in a Cross-Cultural Mirror<br></span><span>Carol Steinberg Gould</span><span><br>27 Scents and Sensibility: Kuki Shūzō and Olfactory Aesthetics<br></span><span>Peter Leech</span><span><br><br>Contributors</span></span>
<p><span>A. Minh Nguyen is professor of philosophy, assistant dean of the Honors College, and faculty affiliate of the Center for Critical Race and Ethnic Studies at Florida Gulf Coast University.</span></p>
<p><span>9/6/21, </span><span>3 Quarks Daily:</span><span> Nguyen wrote an op-ed about the deeper significance of gymnast Suni Lee’s Olympic gold medal victory for Asian Americans. </span></p>
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<p><span>Link: </span><span><a href="https://3quarksdaily.com/3quarksdaily/2021/09/your-face-is-not-american-what-does-suni-lees-olympic-gold-mean.html"><span>https://3quarksdaily.com/3quarksdaily/2021/09/your-face-is-not-american-what-does-suni-lees-olympic-gold-mean.html</span></a></span></p>
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