cover

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CONTENTS

By the Same Author

Supporters

Author’s Note

Chapter One

Chapter Two

Chapter Three

Chapter Four

Chapter Five

Chapter Six

Chapter Seven

Chapter Eight

Chapter Nine

Chapter Ten

Copyright

Jonathan Coe was born in Birmingham, UK, in 1961. He began writing at an early age. His first surviving story, a detective thriller called The Castle of Mystery, was written when he was eight. His first published novel was The Accidental Woman in 1987, but it was his fourth, What a Carve Up!, which established his reputation as one of England’s finest comic novelists, winning the John Llewellyn Rhys Prize in 1985 and being translated into many languages. Seven bestselling novels and many other awards have followed, including the 2005 Samuel Johnson Prize for Like a Fiery Elephant, a biography of the experimental novelist, B. S. Johnson. Jonathan Coe lives in London.

BY THE SAME AUTHOR

Fiction

The Accidental Woman

A Touch of Love

The Dwarves of Death

What a Carve Up!

The House of Sleep

The Rotters’ Club

The Closed Circle

The Rain Before It Falls

The Terrible Privacy of Maxwell Sim

Expo 85

Number 11

Short Fiction

Loggerheads and Other Stories

Non-fiction

Like a Fiery Elephant: The Story of B. S. Johnson

Marginal Notes, Doubtful Statements

Dear Reader,

The book you are holding came about in a rather different way to most others. It was funded directly by readers through a new website: Unbound. Unbound is the creation of three writers. We started the company because we believed there had to be a better deal for both writers and readers. On the Unbound website, authors share the ideas for the books they want to write directly with readers. If enough of you support the book by pledging for it in advance, we produce a beautifully bound special subscribers’ edition and distribute a regular edition and e-book wherever books are sold, in shops and online.

This new way of publishing is actually a very old idea (Samuel Johnson funded his dictionary this way). We’re just using the internet to build each writer a network of patrons. Over the page, you’ll find the names of all the people who made it happen.

Publishing in this way means readers are no longer just passive consumers of the books they buy, and authors are free to write the books they really want. They get a much fairer return too – half the profits their books generate, rather than a tiny percentage of the cover price.

If you’re not yet a subscriber, we hope that you’ll want to join our publishing revolution and have your name listed in one of our books in the future. To get you started, here is a £5 discount on your first pledge. Just visit unbound.com, make your pledge and type mirror5 in the promo code box when you check out.

Thank you for your support,

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Dan, Justin and John

Founders, Unbound

SUPPORTERS

Unbound is a new kind of publishing house. Our books are funded directly by readers. This was a very popular idea during the late eighteenth and early nineteenth centuries. Now we have revived it for the internet age. It allows authors to write the books they really want to write and readers to support the books they would most like to see published.

The names listed below are of readers who have pledged their support and made this book happen. If you’d like to join them, visit www.unbound.com.

Pamela Abbott

Alice Adams

Geoff Adams

John Adams

David Adger

Phil Agius

Moose Allain

Sergio Amadori

Robert Andrews

Sandra Armor

Philippe Auclair

Clare Barker

Sophie Barker

Ruby Bastiman

David Belbin

Emma Bell

Daryl Berrell

Jonathan Blackie

Nadia Bouzidi

Joanna Bowen

John Boxall

John Boyne

Richard W H Bray

Jonathan Bridgland

Emma Brown

Nicky Brown

Simon J. Brown

Gareth Buchaillard-Davies

Steven Buckeridge

Freya Bullock

Paul Bussey

John Caley

Jonathan Cole

Stephen Cooper

Elizabeth Harper Cowan

Paul Daintry

Harriet Fear Davies

Remembering Owen Davies

Royce Cerf Dehmer

Rob Delaney

Tasja Dorkofikis

Chris Dottie

Jenny Doughty

John Dunbar

Valerie Duskin

Jez Fielder

Paul Fielder

Julia Fox

Mark Fraser

Babette Gallard

Annabel Gaskell

Mike Gautrey

Jane Gibbs

Ben Golding

Giles Goodland

Tom Goodrich

Lucille Grant

Jason Hares

Sean Harkin

Claire R E Harris

Amanda Hart

Barry Hasler

Andrew Hearse

Barry Hecker

Caroline Hennigan

Patrick Heren

Philip Hewitt

Matthew H. Hill

Greg Hitchcock

Paul Hodgson

Peter Hogan

Janice Holve

Mary Horlock

Jeff Horne

Jacob Howe

Sarah A Hubert

Matthew Iles

Caroline Irby

Rivka Isaacson

Natascha Jaeger

Stephen Jessop & Donna Laurie

Mark Jones

Julia Jordan

Peter Jordan

Ros Kennedy

Dan Kieran

Patrick Kincaid

Mit Lahiri

Basia Lautman

Garth Leder

Bridget Caron Lee

Justin Lewis

Marina Lewycka

Diana Lilley

Rebecca Lovett

Seonaid Mackenzie

Koukla MacLehose

M. J. Magee

Paul Main

Marianthi Makra

Philippa Manasseh

David Manns

Milcah Marcelo

Katrin Mäurich

Tom McDermott

Brigid McDonough

Roy McMillan

Sam McNabb

Jenny Middleton

John Mitchinson

Chris Monk

Mark Muldowney

Linda Nathan

Carlo Navato

Jay Newman

Jules McNally Norman

Ashley Norris

Julia O’Brien

Rodney O’Connor

Catherine O’Flynn

Michele O’Leary

Misha and Marlon Owen

Scott Pack

Rina Palumbo

Janice Parsons

Finley Peake

Tony Peake

Pernilla Pearce

Bianca Pellet

Edward Penning

Sonya Permyakova

Cynda Pierce

Justin Pollard

Lorca and Llara Prado

Rhian Heulwen Price

Dylan & Esme Price-Davey

David Quantick

Julia Raeside

Alice Rees

Paul Rhodes

Rachael Robinson

David Roche

Alun Roderick

Taylor Royle

Anna Sambles

Libby Sambles

Susan Sandon

Tim Saxton

David Sayers

Dean Scott

Dr David A Seager

Alan Searl

John Sheehan

Joanne Sheppard

David Shriver

Caroline Shutter

Harry Simeone

Diane Sinclair

John Skelton

Hazel Slavin

Nicholas Snowdon

Stuart Southall

Loredana Spadola

Ian Spence

Clive Stock

Ewan Tant

Steve Thorp

Jem Thorpe-Woods

Linda Todgers

Graham Tomlinson

Transreal Fiction

Annabel Turpin

Anne Tyley

Despina Vassiliadou

Mark Vent

Paul Vincent

John Wagstaff

Steve Walsh

Jeremy Warmsley

Alan Webster

Alice Wenban-Smith

Elsie Mai Hâf Westmore

Wiz Wharton

Vicki Whittaker

Patrick Wildgust

Mike Williams & Munson the Alaskan Malamute

Reuben Willmott

Sarah Wilson

Sophie Wilson

Steve Woodward

AUTHOR’S NOTE

The town in this story is called Kennoway, which is the name of a real town in Fife, Scotland, where my great-great-grandparents used to live. But this story is set somewhere in England, and the real town and the fictional town have got nothing to do with each other.

ONE

Claire was eight years old when she found the mirror.

It was raining that day. Not heavy rain, but warm summer rain, with thick, occasional drops, falling from a dull, slate-grey sky. These were the last few days of the school holidays, and the weather had only just changed. They had been lucky this year: the sun had shone for almost the whole of their two weeks away. As usual, Claire and her parents had been to Wales for their holiday, staying in a small rented cottage a few miles from the sea. They had gone to the beach every day and for a short time Claire had forgotten her pervasive sense of loneliness. Towards the end of the holiday she had even made friends with another little girl, a nine-year-old called Lisa who was an only child, just like her. They had promised to keep in touch, but Lisa lived hundreds of miles away so there wasn’t really much point. Meanwhile Claire’s best friend Aggie was still on holiday somewhere with her mum and dad, so Claire had nobody to play with for the time being.

It had been a lovely two weeks but now, after only one day at home, everybody’s mood had changed. As soon as they returned, Claire’s father had sat down on the sofa with a pile of unread letters, and after he had finished reading them, he seemed angry with everyone and everything. Now her parents were talking earnestly in the kitchen about something to do with his job, and Claire could think of nothing to do except wander out into the garden. It was a small garden, and it didn’t take her long to get bored, out there by herself. She would have played on the swing, but one of the ropes was broken. So instead, she walked down to the bottom of the garden, and slipped out through the hole in the fence, where one of the posts had rotted away.

From here, you could soon reach the rubbish dump. In the distance there rose a modest, grassy hill, dotted with rocks and heather, where Claire’s parents would sometimes take her for walks on Sunday afternoons. There was a fantastic view of the whole town from the top. But before you got very far along the path towards this hill, there was a clump of dense, stubbly bushes on the left, and once you had pushed your way through those, the ground fell away at your feet into a sheer slope, like the edge of a cliff. But if you trod carefully, you could scramble down the slope – clutching for support onto the weeds which sprung out of the chalky soil – and that was how you got to the dump.

Claire didn’t come here often. This was only the third or fourth time. To be honest, it wasn’t a very nice place at all. It was full of big plastic bags with their contents spilling out, sharp pieces of metal which might catch you in the leg if you weren’t looking out for them, and rotting items of food which people had thrown away and which had started to smell terrible. In fact the smell was the worst thing about it.

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