Details
Women Composers' Creative Conditions Before and During the Turkish Republic
A Case Study on Three Women Composers: Leyla Hanımefendi, Nazife Aral-Güran, and Yüksel Koptagel|
74,99 € |
|
| Verlag: | Hollitzer Wissenschaftsverlag |
| Format: | |
| Veröffentl.: | 14.10.2021 |
| ISBN/EAN: | 9783990128510 |
| Sprache: | englisch |
| Anzahl Seiten: | 516 |
Dieses eBook enthält ein Wasserzeichen.
Beschreibungen
This research is focused on three Istanbulite composers, Leyla Hanımefendi, Nazife Aral-Güran, and Yüksel Koptagel, who lived and produced in consecutive and overlapping periods, from the Tanzimat Era of the Ottoman Empire to the Turkish Republic of the 1980s. It explores the composers' productive and creative conditions through the socio-political environments of their times, their familial and educational backgrounds, and the social spaces in which they lived and worked. The institutionalisation of Western music and the education thereof occupy a significant place in understanding the composers' relationships with Western music, the bonds they established with polyphonic music, and the development of their musical personalities as a consequence of their education, resultant from the opportunities provided by such developments. This study conjointly examines herstory and music historiography by employing alternative materials and creating its own narrative.
Acknowledgements
Preliminary Remarks on Various Uses
of the Ottoman/Turkish Language
List of Abbreviations
List of Examples
List of Tables
List of Figures
List of Visuals
Introduction
CHAPTER I
Terminological Definitions in Ottoman/Turkish Music
CHAPTER II
Institutionalisation of Western Music in the Ottoman Empire
and in the Turkish Republic in Music Historiography
CHAPTER III
Women Musicians of Late Ottoman Istanbul
CHAPTER IV
Conditions of Production
CHAPTER V
Conditions of Production II (on the Personal Level)
CHAPTER VI
Music Historiography in Turkey Focusing on 'Women Composers'
CHAPTER VII
Places of Production and Creation
Conclusion
Bibliography
Appendices
Preliminary Remarks on Various Uses
of the Ottoman/Turkish Language
List of Abbreviations
List of Examples
List of Tables
List of Figures
List of Visuals
Introduction
CHAPTER I
Terminological Definitions in Ottoman/Turkish Music
CHAPTER II
Institutionalisation of Western Music in the Ottoman Empire
and in the Turkish Republic in Music Historiography
CHAPTER III
Women Musicians of Late Ottoman Istanbul
CHAPTER IV
Conditions of Production
CHAPTER V
Conditions of Production II (on the Personal Level)
CHAPTER VI
Music Historiography in Turkey Focusing on 'Women Composers'
CHAPTER VII
Places of Production and Creation
Conclusion
Bibliography
Appendices
Nejla Melike Atalay studied musicology in Istanbul (Mimar Sinan University) and Vienna. She graduated with a PhD from the University of Music and Performing Arts Vienna (mdw). Her doctoral thesis was awarded the Herta und Kurt Blaukopf-Award in 2019.
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